1 00:00:33,260 --> 00:00:36,620 Oh, boy, this kid's half asleep already. How you doing, Fred? 2 00:00:36,920 --> 00:00:37,920 I'm putting her through. 3 00:00:38,180 --> 00:00:42,260 Hi there, young fella. You know, I think I got something here for you. Hi. Hi. 4 00:00:42,440 --> 00:00:43,500 How do you like that? 5 00:00:43,920 --> 00:00:46,540 Thank you. Oh, he said gracias. 6 00:00:47,460 --> 00:00:51,620 He gets more like his father every day. 7 00:00:52,280 --> 00:00:54,820 Well, that was very nice, sweetheart. 8 00:00:55,160 --> 00:00:57,120 He's a little Cuban daddy, all right. 9 00:00:57,620 --> 00:00:58,620 Gracias. 10 00:01:02,190 --> 00:01:05,570 Fred, I appreciate your concern over our safety, but you haven't worried about 11 00:01:05,570 --> 00:01:07,710 it for 13 years. Why are you worrying now? 12 00:01:08,070 --> 00:01:09,250 Well, that was Ethel's idea. 13 00:01:09,630 --> 00:01:14,210 Oh. She saw in the paper where some crook posed as a door -to -door salesman 14 00:01:14,210 --> 00:01:16,270 he could get into apartments and then rob the place. 15 00:01:16,530 --> 00:01:18,750 I read that. I didn't think much about it. 16 00:01:19,020 --> 00:01:23,940 Well, you know how she is. One little thing happens and she thinks the sky is 17 00:01:23,940 --> 00:01:27,380 falling. Most door -to -door salesmen I've met are very honest. 18 00:01:27,620 --> 00:01:31,160 Well, I know it and you know it, but try and tell it to Chicken Little. 19 00:01:34,460 --> 00:01:35,460 There. 20 00:01:43,360 --> 00:01:45,920 Now you've got a brand new burglar -proof chain. 21 00:01:46,640 --> 00:01:47,640 Thank you, Fred. 22 00:01:47,720 --> 00:01:48,720 You're welcome. 23 00:01:52,810 --> 00:01:53,810 What happened? 24 00:01:54,210 --> 00:01:57,050 You just broke through Fred's burglar -proof chain. 25 00:01:58,110 --> 00:02:00,270 Fred, can't you ever do anything right? 26 00:02:00,490 --> 00:02:02,070 Fred, can't you ever do anything right? 27 00:02:02,570 --> 00:02:05,510 You're not supposed to come charging in there like a bull out of a chute. 28 00:02:07,490 --> 00:02:09,789 If you'd have fixed it right, it wouldn't have pulled out. 29 00:02:10,009 --> 00:02:12,490 Your weight, you could come through that wall without a door. 30 00:02:14,610 --> 00:02:16,650 Oh, keep quieter. I'll sit on you. 31 00:02:18,760 --> 00:02:22,100 I'll go down in the basement and see if I can find some balls strong enough to 32 00:02:22,100 --> 00:02:23,960 hold that against the charge of the heavy brigade. 33 00:02:24,220 --> 00:02:29,300 Okay. Do that. And fix every door in every apartment in this building. 34 00:02:29,540 --> 00:02:33,200 Do that. Fix every door in every apartment in this building. I'm going to 35 00:02:33,200 --> 00:02:37,720 that. How come you're such a scaredy cat all of a sudden? Oh, listen, people are 36 00:02:37,720 --> 00:02:40,640 going around posing as all sorts of things just to get into apartments. 37 00:02:41,080 --> 00:02:44,840 They're posing as reporters and salesmen and who knows what. Didn't you read 38 00:02:44,840 --> 00:02:46,400 this article in the paper this morning? 39 00:02:46,640 --> 00:02:50,120 Yeah, I read it. I didn't think much about it. Well, I'm never going to let 40 00:02:50,120 --> 00:02:51,540 anybody in my door again. 41 00:02:51,940 --> 00:02:54,220 What happens if I want to come over? What's the password? 42 00:02:55,920 --> 00:02:58,440 You still want me to babysit while you go to the dentist? 43 00:02:59,120 --> 00:03:00,120 The dentist! 44 00:03:03,690 --> 00:03:05,710 For heaven's sake, it took me three weeks to get the appointment. 45 00:03:06,310 --> 00:03:07,310 Oh, gosh. 46 00:03:08,310 --> 00:03:09,550 How do you like that? 47 00:03:10,010 --> 00:03:11,670 I'll be back in an hour. Okay. 48 00:03:15,390 --> 00:03:17,050 I had read all those magazines. 49 00:03:22,750 --> 00:03:23,970 Well, that ought to do it. 50 00:03:24,870 --> 00:03:27,390 Oh, Fred, those big bolts look awful. 51 00:03:27,890 --> 00:03:29,570 Can't you make it look a little neater? 52 00:03:30,160 --> 00:03:33,280 What are you talking about? A couple of dabs of paint and you'll never notice 53 00:03:33,280 --> 00:03:35,840 it. Anyway, this protects you against anything. 54 00:03:36,160 --> 00:03:37,320 Why be half safe? 55 00:04:26,250 --> 00:04:27,249 Honey or something? 56 00:04:27,250 --> 00:04:28,850 Locked that thing and then called me back? 57 00:04:29,230 --> 00:04:31,990 I called you back to tell you that the lock got stuck. 58 00:04:32,330 --> 00:04:35,370 It's impossible for that lock to get stuck. Well, it did get stuck. Come on, 59 00:04:35,370 --> 00:04:36,370 I'll show you. 60 00:04:37,430 --> 00:04:38,430 Lock handkerchief. 61 00:04:42,710 --> 00:04:43,710 Oh, humbug. 62 00:04:44,450 --> 00:04:47,950 I'll go down and get some new tools. Yeah, and fix it right this time. This 63 00:04:47,950 --> 00:04:48,950 lot of protection. 64 00:05:22,030 --> 00:05:24,010 Good afternoon. Is Mr. Ricardo home? 65 00:05:24,290 --> 00:05:27,850 Why? Well, I have an appointment with him. Oh, you have? 66 00:05:29,150 --> 00:05:31,130 Yes. Are you Mrs. Ricardo? 67 00:05:31,370 --> 00:05:32,370 Who wants to know? 68 00:05:33,070 --> 00:05:37,070 My name is Benjamin, Ben Benjamin, and I have an appointment with Mr. Ricardo. 69 00:05:37,570 --> 00:05:40,190 Well, he's not at home right now. 70 00:05:43,710 --> 00:05:44,710 Madam. 71 00:05:47,450 --> 00:05:49,850 Would you mind if I come in and wait? 72 00:05:50,150 --> 00:05:51,330 Yes, I would mind. 73 00:05:51,630 --> 00:05:53,300 Who are you anyway? What do you want? 74 00:05:53,620 --> 00:05:57,500 Well, I happen to be a talent scout for motion pictures. A talent scout? 75 00:05:58,400 --> 00:05:59,480 That's a good one. 76 00:05:59,960 --> 00:06:02,380 Don't you come and tell me that's a new one. 77 00:06:02,780 --> 00:06:06,780 Stop your screaming, will you? Come now. 78 00:06:07,140 --> 00:06:08,140 Don't scream. 79 00:06:12,220 --> 00:06:14,860 Oh, thank goodness, Lucy, you got here just in time. 80 00:06:15,380 --> 00:06:19,920 He really tried to break in, huh? I'll say he did. He said he was a talent 81 00:06:19,920 --> 00:06:23,360 from Hollywood, and you wouldn't believe that article in the paper this morning. 82 00:06:23,480 --> 00:06:25,740 Well, I believe it now when I see what he did to that door. 83 00:06:26,100 --> 00:06:29,260 Oh, well, I've got to call the police. Yes, call the police. 84 00:06:30,380 --> 00:06:31,380 Hello? 85 00:06:31,840 --> 00:06:34,840 Oh, Ricky, I'm glad you called. Listen, something just... What? 86 00:06:35,300 --> 00:06:40,080 Well, honey, my news is important, too. Now, listen, just when I... Oh, all 87 00:06:40,080 --> 00:06:41,080 right, go ahead. 88 00:06:41,720 --> 00:06:45,400 A talent scout is coming here to see you this afternoon. 89 00:06:51,980 --> 00:06:53,500 His name is Benjamin. 90 00:06:58,420 --> 00:07:00,740 Oh, honey, don't worry. 91 00:07:00,960 --> 00:07:02,500 I'll take care of him until you get here. 92 00:07:02,900 --> 00:07:03,960 Yeah, goodbye. What? 93 00:07:04,600 --> 00:07:05,600 My news? 94 00:07:06,220 --> 00:07:07,440 Spilt the milk all over. 95 00:07:09,420 --> 00:07:10,820 The baby, the baby. 96 00:07:11,460 --> 00:07:16,120 Oh, Ethel, what's the matter with you? I'm sorry, Lucy. No time to be sorry. 97 00:07:16,300 --> 00:07:19,320 Ricky called from the drugstore down there. He'll be here any minute. What do 98 00:07:19,320 --> 00:07:20,320 do with poor Mr. Benjamin? 99 00:07:21,760 --> 00:07:23,820 Put him up on there. Oh, yeah. Put him up on there. Oh. 100 00:07:24,160 --> 00:07:27,700 Oh. Oh. He said he was a talent scout. I didn't believe he was a talent scout. 101 00:07:27,700 --> 00:07:29,900 Oh, for heaven's sake. I didn't believe that thing. Oh. 102 00:07:32,060 --> 00:07:33,600 Shall we lie him down, Lizzie? No. 103 00:07:33,820 --> 00:07:35,240 Hit him up. Hit him up. Why? 104 00:07:35,580 --> 00:07:38,560 I don't want him to know that I'm the one that hit him. It'll be the end of 105 00:07:38,560 --> 00:07:40,520 Ricky's career in pictures to say nothing of mine. 106 00:07:40,900 --> 00:07:42,060 Yours. Now, listen. 107 00:07:43,000 --> 00:07:44,060 When he wakes up. 108 00:07:44,350 --> 00:07:48,570 We'll just be sitting here, naturally, talking to him, you know, and we'll 109 00:07:48,570 --> 00:07:50,890 pretend we don't know what he's talking about when he says somebody hit him on 110 00:07:50,890 --> 00:07:52,110 the head. That's a great idea. 111 00:07:52,590 --> 00:07:53,529 All right. 112 00:07:53,530 --> 00:07:57,270 Help me clean this up. Oh, clean it? Oh, Lucy. Gosh, look at this. 113 00:07:59,470 --> 00:08:01,930 Couldn't you have got something else to hit him with? For God's sake. 114 00:08:04,130 --> 00:08:07,770 Quick, you'll think the baby did it. Here, straighten out his hat. 115 00:08:07,990 --> 00:08:09,030 Okay, straighten out his hat. 116 00:08:13,870 --> 00:08:14,870 up his coat. 117 00:08:15,630 --> 00:08:17,630 Well, I'll put it right there in the stool. 118 00:08:20,730 --> 00:08:21,730 Mr. 119 00:08:27,470 --> 00:08:29,130 Benjamin, where'd he go? Mr. Benjamin! 120 00:08:29,510 --> 00:08:30,510 Oh, Mr. Benjamin! 121 00:08:30,830 --> 00:08:31,830 Oh, 122 00:08:34,350 --> 00:08:40,710 for heaven's sake. 123 00:08:41,150 --> 00:08:42,970 Oh, let's see now. 124 00:08:44,870 --> 00:08:46,910 Let's see. Let's make him look kind of natural. 125 00:08:51,490 --> 00:08:52,490 Let's see there. 126 00:08:53,070 --> 00:08:54,910 Yeah. Let's see if he smokes. 127 00:08:55,670 --> 00:08:56,670 Yeah. 128 00:08:57,330 --> 00:08:59,410 His hair's messed up. Comb his hair. Comb his hair. 129 00:09:34,459 --> 00:09:35,459 Okay, 130 00:09:39,000 --> 00:09:40,000 sit down. 131 00:09:40,560 --> 00:09:41,560 Sit down. 132 00:09:46,420 --> 00:09:47,200 Sit back 133 00:09:47,200 --> 00:09:54,000 and 134 00:09:54,000 --> 00:09:55,000 relax. 135 00:10:17,420 --> 00:10:18,480 as she does on... 136 00:10:18,480 --> 00:10:27,860 You 137 00:10:27,860 --> 00:10:31,060 were saying, Mr. Benjamin, that Elizabeth Taylor looks just as pretty 138 00:10:31,060 --> 00:10:32,540 screen as she is on. Is that right? 139 00:10:33,820 --> 00:10:34,820 Uh... 140 00:10:54,420 --> 00:10:55,860 Who am I? 141 00:10:56,080 --> 00:10:57,080 Oh, 142 00:10:57,980 --> 00:11:04,640 surely you must be joking, Mr. Benjamin, or my name isn't Lucy 143 00:11:04,640 --> 00:11:05,640 Ricardo. 144 00:11:06,820 --> 00:11:09,000 Oh, so then you're Mrs. 145 00:11:09,200 --> 00:11:13,480 Ricardo. Oh, you silly boy, of course. Well, I don't understand this. 146 00:11:13,860 --> 00:11:18,080 When I came in... What's the matter? 147 00:11:18,620 --> 00:11:20,180 I have an awful headache. 148 00:11:20,460 --> 00:11:21,460 Oh, too bad. 149 00:11:22,090 --> 00:11:26,450 Look, when I first came in here, didn't you scream and... Scream? 150 00:11:27,330 --> 00:11:31,590 Why should I scream? You know, dear, you did call me. You said, Lucy. 151 00:11:32,210 --> 00:11:34,950 And then I came out and hung up Mr. Benjamin's coat and hat. 152 00:11:35,210 --> 00:11:38,790 And since then, we've just been sitting here having a delightful chat with you, 153 00:11:38,810 --> 00:11:40,530 Mr. Benjamin. You really... Hi, honey. 154 00:11:40,870 --> 00:11:44,170 Oh, hi, dear. Mr. Benjamin came in right after you called. 155 00:11:44,450 --> 00:11:46,450 Oh, hello, Mr. Benjamin. How are you? 156 00:11:46,690 --> 00:11:47,690 All right. 157 00:11:48,070 --> 00:11:51,490 Well, goodbye, Mr. Benjamin. It's just been delightful talking to you. 158 00:11:51,979 --> 00:11:53,040 Thank you. Bye. 159 00:11:53,900 --> 00:11:57,280 Mr. Benjamin, my agent says that you want to see me about a screen test. 160 00:11:57,840 --> 00:11:58,840 A screen? 161 00:11:59,280 --> 00:12:04,940 Oh, oh, yes, yes. Our studio is making a picture about the life of Don Juan. 162 00:12:05,240 --> 00:12:09,320 Don Juan! Oh, Ricky, that'd be just perfect for you, Spanish and everything. 163 00:12:09,760 --> 00:12:11,000 Lucy? Yes, sir? 164 00:12:11,500 --> 00:12:14,300 Mr. Benjamin, that sounds very, very exciting. 165 00:12:15,100 --> 00:12:17,320 Is it going to be a cinemascopy in the city of Norfolk? 166 00:12:19,820 --> 00:12:23,280 I beg your pardon? Is he going to be cinemascope and stereophic? 167 00:12:23,820 --> 00:12:29,780 Uh, uh, Mr. Benjamin, I think he means cinemascope and stereophonic. That's 168 00:12:29,780 --> 00:12:30,319 I said. 169 00:12:30,320 --> 00:12:31,320 That's what he said. 170 00:12:32,660 --> 00:12:33,940 Oh, probably. 171 00:12:34,540 --> 00:12:35,540 Oh, that's good. 172 00:12:36,180 --> 00:12:39,520 Yeah, I'm sorry, but I don't feel very well. I have an awful headache. 173 00:12:39,740 --> 00:12:42,780 Oh, that's too bad. Look, I, uh, I have a script here with me. 174 00:12:43,270 --> 00:12:47,450 There's a scene in it here somewhere that's marked. You can find it. If 175 00:12:47,450 --> 00:12:50,930 just read that over, and I'll be back in a couple of days. You can read it for 176 00:12:50,930 --> 00:12:53,850 me, and then if it sounds all right, we'll give you a screen test. 177 00:12:54,170 --> 00:12:55,670 Well, that would be wonderful, Mr. Benjamin. 178 00:12:56,730 --> 00:13:00,250 I'm awfully happy to have met you, Mrs. Ricardo. Thank you. I'll get your coat, 179 00:13:00,350 --> 00:13:01,350 sir. 180 00:13:01,470 --> 00:13:04,710 I'll be seeing you then in a couple of days. Yes, sir. Okay, Ricky. 181 00:13:06,930 --> 00:13:07,930 Here you are, sir. 182 00:13:08,010 --> 00:13:09,010 Thank you. 183 00:13:14,590 --> 00:13:15,590 Bye. 184 00:13:19,250 --> 00:13:22,850 He's a nice fellow. Too bad he's got a headache. Well, those things come on 185 00:13:22,890 --> 00:13:24,730 you know. Sometimes you just don't know what hit you. 186 00:13:25,590 --> 00:13:26,590 Too bad. 187 00:13:34,310 --> 00:13:35,310 Yes? 188 00:13:36,250 --> 00:13:37,970 It is I, a lovely one. 189 00:13:38,920 --> 00:13:42,320 Would that I had the power to tell you what is in my heart tonight. 190 00:13:44,780 --> 00:13:47,620 Yes, it is I, oh lovely one. 191 00:13:48,340 --> 00:13:52,560 Would that I had the power to tell you what is in my heart tonight. 192 00:13:53,880 --> 00:13:56,780 Would that you had the power to read that speech right. 193 00:13:57,200 --> 00:14:01,380 What's wrong with it? The same thing I've been telling you all day. You're 194 00:14:01,380 --> 00:14:03,680 too stiff, Ricky. You have to loosen up. Relax. 195 00:14:12,560 --> 00:14:13,560 Not an ape. 196 00:14:14,700 --> 00:14:17,660 Now, look, you're getting me all mixed up. I am not. 197 00:14:18,180 --> 00:14:21,320 It's just that you can't just stand there and just say the words. 198 00:14:21,640 --> 00:14:23,420 In pictures, you have to be a personality. 199 00:14:23,940 --> 00:14:28,540 You have to develop a distinctive way of talking, like Humphrey Bogart. 200 00:14:29,340 --> 00:14:31,100 Oh, yeah, I see what you mean. 201 00:14:43,920 --> 00:14:46,840 Look, would you leave me alone? I've been in show business a long time. 202 00:14:47,620 --> 00:14:50,320 Doesn't make you an actor just because you've been shouting Babaloo and beating 203 00:14:50,320 --> 00:14:52,040 on a cowhide. Oh, yeah? 204 00:14:52,800 --> 00:14:54,680 Who do you think you are, Sarah Bernhardt? 205 00:14:54,960 --> 00:14:58,280 I don't have to be Sarah Bernhardt to tell you a few things. Hey, what's going 206 00:14:58,280 --> 00:15:01,460 on? Oh, I'm trying to make an actor out of him, but he just refuses. 207 00:15:01,800 --> 00:15:05,260 He keeps telling me to do things that I know are wrong. They are not. 208 00:15:05,640 --> 00:15:06,640 Well, what do you want him to do? 209 00:15:06,980 --> 00:15:10,380 Well, for one thing, I'd like him to develop a distinctive way of speaking. 210 00:15:11,900 --> 00:15:12,900 Ricky? 211 00:15:15,850 --> 00:15:18,310 I'll show you what she wants me to do. Go ahead, sit down. I'll show you. 212 00:15:18,510 --> 00:15:19,510 Sit down, honey. 213 00:15:21,690 --> 00:15:22,950 Here's the way she wants me to do it. 214 00:15:23,250 --> 00:15:25,570 Would that I could ask you to fly with me. 215 00:15:26,110 --> 00:15:29,610 For I know that you are devoted to your husband, Count de Renssel. 216 00:15:30,190 --> 00:15:34,310 It is you I love, my lover. You are so young and strong. 217 00:15:34,790 --> 00:15:38,050 But he is old and feeble and he needs me. 218 00:15:38,410 --> 00:15:43,930 But for him, I will sweep you into my arms and carry you over a young garden 219 00:15:43,930 --> 00:15:44,930 wall. 220 00:15:45,280 --> 00:15:46,280 Oh, my heart. 221 00:15:46,640 --> 00:15:48,420 My poor, poor heart. 222 00:15:48,760 --> 00:15:49,920 What of your heart? 223 00:15:50,160 --> 00:15:50,919 It thinks. 224 00:15:50,920 --> 00:15:52,220 That's not the only thing. 225 00:15:56,180 --> 00:15:57,500 Now, you shut up. 226 00:15:59,200 --> 00:16:02,420 I told you it was now seen. Oh, I don't think you should have taken on your own. 227 00:16:02,420 --> 00:16:07,540 I've been in show business a long, long time. You've got a rich mind. All right, 228 00:16:07,600 --> 00:16:10,200 all right. You're not doing what I told you to do. All right, all ready. 229 00:16:11,100 --> 00:16:13,440 Will you please do me a favor and leave me alone? 230 00:16:13,820 --> 00:16:14,820 Oh. now, Ricky? 231 00:16:15,180 --> 00:16:17,100 I want to do it my way. 232 00:16:17,340 --> 00:16:18,339 Oh, fine. 233 00:16:18,340 --> 00:16:23,220 Would that I had the power to take you and fly over Yon Garden. Oh, great. 234 00:16:24,260 --> 00:16:25,260 That would be great. 235 00:16:25,780 --> 00:16:27,760 I was just trying things out. 236 00:16:28,060 --> 00:16:32,060 That's not the way I'm going to do it. Yeah. Now, out, everybody. 237 00:16:32,300 --> 00:16:38,360 Oh, my God. Now, please. Go play cards. I got a lot of work to do. I'll help you 238 00:16:38,360 --> 00:16:40,220 out. Will you please go play cards? 239 00:16:40,600 --> 00:16:41,600 Thank you. 240 00:17:10,060 --> 00:17:12,260 Yes, it is I, a lovely one. 241 00:17:13,240 --> 00:17:16,000 Would that I had the power to tell you what is in my heart tonight. 242 00:17:16,980 --> 00:17:18,859 Would that I could ask you to fly with me. 243 00:17:19,500 --> 00:17:22,920 But I know that you're devoted to your husband, Count Lorenzo. 244 00:17:23,540 --> 00:17:28,359 But for him, I would sweep you into my arms and lift you over your garden wall. 245 00:17:29,420 --> 00:17:30,420 Oh, my heart. 246 00:17:31,300 --> 00:17:32,820 My poor, poor heart. 247 00:17:33,580 --> 00:17:36,020 To think it can never be one with yours. 248 00:17:39,600 --> 00:17:41,900 No, no, I'm sorry, Mrs. Sawyer. 249 00:17:42,620 --> 00:17:46,500 Yes, dear, it's true. A talent scout is coming over tonight, but it's only to 250 00:17:46,500 --> 00:17:47,500 listen to Ricky. 251 00:17:48,720 --> 00:17:52,140 No, I'm sure he wouldn't be interested in your French poodle. You see, this is 252 00:17:52,140 --> 00:17:53,140 Spanish picture. 253 00:17:54,540 --> 00:17:55,780 Yes, that's right. 254 00:17:56,520 --> 00:17:57,700 Okay, goodbye. 255 00:17:58,340 --> 00:18:01,800 Goodbye. Honestly, this has been going on all morning. 256 00:18:02,020 --> 00:18:04,780 What has? People calling up and wanting to audition tonight. 257 00:18:05,140 --> 00:18:05,879 No kidding. 258 00:18:05,880 --> 00:18:07,300 How did they find out? 259 00:18:07,540 --> 00:18:09,220 I don't know. I didn't tell anybody. Did you? 260 00:18:09,620 --> 00:18:10,620 Certainly not. 261 00:18:10,960 --> 00:18:13,460 I didn't tell a soul, and they all promised to keep it a secret. 262 00:18:16,060 --> 00:18:19,220 You know, I never knew this neighborhood was so full of frustrated performers. 263 00:18:19,580 --> 00:18:21,900 At last, I found out where vaudeville went to die. 264 00:18:23,420 --> 00:18:25,440 Oh, no. Now, who is this? 265 00:18:29,700 --> 00:18:32,340 Oh, Mrs. Trumbull. Hello, Miss Riccardo. 266 00:18:32,600 --> 00:18:35,540 I'm returning that cup of sugar I borrowed from you. 267 00:18:35,780 --> 00:18:36,179 Oh, fine. 268 00:18:36,180 --> 00:18:37,180 Well, come in and sit down. 269 00:18:57,700 --> 00:19:01,280 Did you by any chance hear that a talent scout was coming here tonight? 270 00:19:02,420 --> 00:19:04,780 Yes, I did hear a little rumor. 271 00:19:05,550 --> 00:19:08,590 Well, you have a very lovely voice, dear, but this gentleman is coming here 272 00:19:08,590 --> 00:19:12,050 tonight just to hear Ricky read for the lead in Don Juan. 273 00:19:12,270 --> 00:19:14,110 Nothing ventured, nothing gained. 274 00:19:14,350 --> 00:19:15,350 That's right. 275 00:19:15,670 --> 00:19:19,090 Miss Riccardo, I'll just take back that sugar. 276 00:19:20,270 --> 00:19:26,390 Oh, oh, I thought you were returning it. Oh, I didn't really owe it to you. That 277 00:19:26,390 --> 00:19:29,170 was just a ruse. Oh, oh. 278 00:19:29,710 --> 00:19:33,990 Ah, sweet mystery, why did I stay? 279 00:19:36,140 --> 00:19:37,140 Isn't she a doll? 280 00:19:37,440 --> 00:19:38,419 Sure is. 281 00:19:38,420 --> 00:19:41,240 Oh, the back door. Next, they'll be coming through the windows. 282 00:19:44,420 --> 00:19:45,580 Oh, hi, Pete. 283 00:19:45,800 --> 00:19:47,460 Hi, Mrs. Ricardo. Hi, Mrs. March. 284 00:19:47,740 --> 00:19:49,140 Oh, I was saying, Mrs. 285 00:19:49,440 --> 00:19:53,220 Ricardo. Before you say another word, Pete, it's a Spanish picture, and there 286 00:19:53,220 --> 00:19:55,240 no room in it for whatever you do. 287 00:19:55,760 --> 00:19:57,000 What are you talking about? 288 00:19:57,720 --> 00:19:59,740 I was just going to tell you we're all out of melon. 289 00:20:00,080 --> 00:20:01,560 Oh, I'm sorry, Pete. 290 00:20:01,920 --> 00:20:04,380 It's just that everybody in the neighborhood's been calling up and 291 00:20:04,380 --> 00:20:06,700 audition for a talent scout that's coming here tonight. 292 00:20:06,960 --> 00:20:10,380 Oh, I hadn't heard a word about it. Well, good. But now that you mention it, 293 00:20:10,380 --> 00:20:14,380 do play the trumpet. Just forget it. But, Mrs. Ricardo, when I play the 294 00:20:14,440 --> 00:20:15,440 I'm real gone. 295 00:20:15,720 --> 00:20:17,040 Then go, man, go. 296 00:20:19,420 --> 00:20:21,240 Honestly, isn't it awful? 297 00:20:21,780 --> 00:20:25,120 After all, Ethel, if there are any extra parts in that picture, you and I could 298 00:20:25,120 --> 00:20:26,120 certainly... 299 00:20:37,520 --> 00:20:39,060 I never even thought to look at it. 300 00:20:39,400 --> 00:20:44,220 Don Juan, the Count, the Countess. They'll be the stars. Now look, here. 301 00:20:44,220 --> 00:20:48,520 are. Isabella, a beautiful peasant girl. A Marilyn Monroe type. 302 00:20:48,820 --> 00:20:49,820 That's perfect. 303 00:20:50,120 --> 00:20:51,120 Of course. 304 00:20:51,280 --> 00:20:52,560 Is there a part for you? 305 00:20:58,960 --> 00:21:01,640 I was referring to me. 306 00:21:01,920 --> 00:21:04,480 You? I'm the blonde in this group. 307 00:21:04,740 --> 00:21:06,900 Well, I could be a blonde as easy as you can. 308 00:21:08,780 --> 00:21:10,340 There's a Marilyn Monroe star. 309 00:21:10,700 --> 00:21:14,960 She has a way of carrying herself and a way of smiling. Hey, what's the beef, 310 00:21:15,040 --> 00:21:19,040 kid? Here's Fred. We'll let him settle it. Fred, I think I look more like 311 00:21:19,040 --> 00:21:22,740 Marilyn Monroe than Lucy does. And I think I look more like Marilyn Monroe 312 00:21:22,740 --> 00:21:23,800 Ethel does. What do you think? 313 00:21:24,040 --> 00:21:26,100 I think I look more like her than either one of you. 314 00:21:29,720 --> 00:21:31,300 Fred, you're a big help. 315 00:21:31,760 --> 00:21:35,080 What's all this about, anyway? Well, we were just looking at this script. And 316 00:21:35,080 --> 00:21:38,640 there may be parts for all of us in it. And one of them is a Marilyn Monroe... 317 00:21:38,680 --> 00:21:43,240 Now, so I said I thought... Oh, for Pete's sake, can't you two let Ricky do 318 00:21:43,240 --> 00:21:44,780 little thing without horning in? 319 00:21:45,280 --> 00:21:52,220 Can't you live your life without putting your nose in... What, 320 00:21:52,340 --> 00:21:53,660 for all of us? Now, look, Fred. 321 00:21:54,060 --> 00:21:57,720 Fred, you were right. You were right. This is Ricky's big chance, and I think 322 00:21:57,720 --> 00:22:00,800 should keep completely out of it. Huh? Don't you, Ethel? 323 00:22:01,080 --> 00:22:02,700 Uh, oh, yeah. Yes. 324 00:22:03,629 --> 00:22:06,130 Yes. We'll let Ricky do this all by himself. 325 00:22:06,350 --> 00:22:07,710 Yes. This is Ricky's big day. 326 00:22:08,010 --> 00:22:09,770 Let's let him have it. Huh? Okay? 327 00:22:09,970 --> 00:22:11,610 Okay. Okay. Okay. 328 00:22:12,630 --> 00:22:13,630 Okay. 329 00:22:36,240 --> 00:22:38,560 Hey, what time is that talent scout supposed to arrive? 330 00:22:38,980 --> 00:22:40,780 Lucy said he'd get here around 7 .30. Sit down. 331 00:23:12,600 --> 00:23:15,220 Guess. Humphrey Bogart in a wig. 332 00:23:17,260 --> 00:23:21,300 What are you two all dressed up for? We're a Spanish dance team. 333 00:23:38,320 --> 00:23:39,740 selfish attitude to take. 334 00:23:40,020 --> 00:23:40,959 Where is Ricky? 335 00:23:40,960 --> 00:23:44,280 He's down picking up Mr. Benjamin. Now listen, you two, get out of here. 336 00:23:45,240 --> 00:23:46,240 There he is. 337 00:23:46,440 --> 00:23:47,720 Sit down and be quiet. 338 00:24:11,790 --> 00:24:12,669 think you're doing? 339 00:24:12,670 --> 00:24:13,930 Who are you supposed to be? 340 00:24:14,490 --> 00:24:15,490 Gorgeous George. 341 00:24:18,310 --> 00:24:22,930 Now look, Pete, there's no point in your... There he is. Sit down and be 342 00:24:23,030 --> 00:24:24,030 will you? 343 00:24:45,040 --> 00:24:46,040 Mrs. Trumbull. Mrs. 344 00:24:46,620 --> 00:24:48,640 Trumbull, the talent scout isn't here yet. 345 00:24:49,040 --> 00:24:50,200 Oh, nuts. 346 00:25:17,480 --> 00:25:18,480 Has he still got a headache? 347 00:25:20,100 --> 00:25:22,880 Isn't that wonderful news, honey? I got the screen test. 348 00:25:23,460 --> 00:25:24,560 Yeah, honey, wonderful. 349 00:25:25,260 --> 00:25:26,380 Anything new at home? 350 00:25:30,400 --> 00:25:32,840 No, dear, everything here is about as usual. 351 00:26:26,540 --> 00:26:28,720 I Love Lucy is a Desilu production. 352 00:26:29,400 --> 00:26:33,480 Lucille Ball and Desi Arnaz will be back next week at this same time.